detboi was bought to metalheadz attention via special request and immediately signed up for a project. as it turned out detboi was a long life metalheadz fan and the news of the signing could was absolute music to the dubliners ears. goldie immediately added his sparkle to the title track joyride whilst detboi polished off the rest of the ep. we look forward to releasing more of his music.

space arts third single nous savons tout was released in 1978 on if records. their sound was similar to jarres early analog albums, but with the addition of real drums. dominique plays an arp odyssey, clavinet, eminent, and minimoog, maximizing their warm textures. roger plays the drums in an intricate fashion, influenced subtly by jazz fusion.

one of the founding members of apollonia, shonky was responsible for his label’s very first release back in 2012 with ‘the minneapolis touch’. outside of working on the trio’s debut lp ‘tour a tour’, shonky has been relatively quiet on the solo tip. here on apollonia’s 25th release we’re treated to four new cuts from the berlin-based parisian, kicking off with plombie&#768,,re (plumber in english). shonky injects a variety of unusual sounds, which revolve around a jaunty bassline, while voices dip in and out of the background, repeating the mantra ‘house music’ together with other difficult to decipher vocal clips. the track has a catchy rhythm that bounces along with aplomb. up next ‘house me’ is a sleazy, mischievous cut with a deadly low end and a seductive vocal that urges you to ‘house me’. as the bassline rumbles, high pitched effects add a hypnotic element to the track. badboy business.on the b-side we have ‘perchee’, which is powered by cleverly layered percussion, which is almost ‘live’ sounding. another one of those ‘shonky’ basslines gets us straight into the groove, with utterly contagious beats – this is one to shake the dance floor down its core. finally, ‘cosmopolis’ has that inner city realness flowing through with the chatter of a street corner in the background, a killer b-line and one of those classic vocal samples that is oh so familiar and gets you nodding your head as soon as you hear it. and there it is, four dance floor cuts with plenty of depth and groove in true shonky style… c est formidable!

i-f, helena hauff & intergalactic gary favourite! double artist debut on bio rhythm, delivering its darkest release so far. despite all corporate techno gentrification rises mirror man, from the ashes of what once was this dirty dystopian hardcore heaven, and he s a mean motherfckr who has been battering us with his haunting dj mixes already for a while. on the flip the pleasure gets even darker with satanist west coast act leaders of the wild hunt on remix duties. the beauty of paranoia... perfect soundtrack for the summer of 2016.

in 1988 axodry released the maxi 12inch single you on zyx records/combeat. influenced by depeche mode, gary numan and john foxx, the duo crafted high impact industrial, synth pop and electronic body music. their basic set up for recording at rahens home studio was a moog rouge, roland sh-101, teisco synthesizer, linn drum and fricke sequencer. ra/hen performed dramatic vocals, which tell of a lost love found in dreams. included here are the beauty & the beat mix and the beasty dub mix from the 1988 single. on the flip is the razormaid remix, performed by art maharg and joseph watt, that originally appeared on the welcome to the technodrome compilation in 1989. also included is mechanic, originally released in 1991 as the b-side for their final single losing you

black country overlord justin k broadrick (jesu, godflesh) blesses regis’ downwards fiefdom with two tracks and a tightly sprung rework by surgeon. downwards have really picked the foulest iterations of a grim set for vinyl release, inscribing the industrial-strength torque of nothing is free - which sounds like early kode 9 battered by shapednoise - at 45rpm across the front face, and branding the knuckling 808 snares and distended electro bass blow out of kontorted on its backside. surgeon’s remix of the title tune ranks among his best in many years. trace elements of the original are extruded thru modular kit and remodelled on a bouncing, swerving techno chassis recalling bmb and cub classics, but streaked with sirens and vamped by a marching brass refrain that’s just spoiling for war. the release marks a long overdue overlap between downwards’ and broadrick’s interrelated industrial, noise and techno circles. broadrick was the original drummer for napalm death on their scum (1987) album, before forming the legendary godflesh, and carving out an oeuvre as one of the most feared and respected musicians to emerge from birmingham and the uk ever since.

scott young s most powerful and personal (he was actually homeless at the time of recording the title track in berlin) effort to date. no return to the jive disintegrates a familiar groove into digital detritus, burning down the house (genre) in the process. homeless disco dub is mutant and sticky, and already a hit at the best kitchen after parties. hobo art by capablanca & young. weirdo magick

as always limited 180gm pressed vinyl
people must jam s ninth record is from one of our favourite djs and producers. a guy who has a ridiculously large back catalogue and in our opinion it is a crime that some of his records haven t received bigger recognition. a true master of house and hip hop music, kid sublime has been putting out amazing records since 2001. his own label dopeness galore literally does exactly what it says on the tin. even before we launched people must jam s label we wanted kid sublime to be a part of it. now finally we are stoked to present this ep... four serious cuts for four different vibed floors - look out! first up kid s homage to techno legend ben sims with bang like sims a driving deep techno groove. strong percussion, deep stabs and that unrelenting beat are going to ensure this one gets some love on the harder edged, heavier dance floors. we the people heads a little down the tribal route with some afro inspired percussion, haunting samples and that kalimba! dropping a really infectious riff before beautiful piano melodies drift in and out of the mix. wonderful stuff. the title track i like em dirty , we feel, is a lesson in proper deep house. classic sounding house beats, little guitar licks, deep stabs and the vocal sample combine for this perfect house cut. massive. the ep is rounded out with another cut in tribute to the legend that was kenny hawkes. another master of his craft - kenny sadly now passed on but his spirit is well and truly alive in this fitting tribute. one 4 kenny features strong percussion, low bass, deep stabs and slamming beats = cracking stuff

not too long ago a jiffy bag arrived at parkwest hq. in it was a scratched tdk case with a sa-x tape containing a musical message from years past, simply marked the tape i lost! we sat and listened, able to pinpoint influence and reference but yet hearing something totally new. that this tape surfaced and made it across the years and the miles to us was fortunate. when the synth part came through clear on a later version on the tape, allowing us to remix then it became destiny. emotion, melody and rhythm will always be timeless and these tracks, selected from that tape, are as relevant today as they ever were.

stone cold classic, although pastime paradise has been reissued a couple of time on compilations every single reissue has used the rocky lp version which is not nearly as good as the original 7inch cut. as we at athens of the north like to do things right we went back to the sony tape vault and had the 7- version transferred for the first time since the o.g 45 was cut. this 45 sounds fantastic, much stronger then the o.g 45 cut so its a no brainer. on the flip we took one of our favourite track from the lp and introduced it to 7inch for the first time, mambotango is a dreamy sountracky latin disco number i used to spin on warm up duty, very new york.

all four parts of gastspiel’s autumn edition bundled up for one special price!

der dortmunder larse hat bereits eine lange liste an fantastischen releases vorzuweisen, mit originalen und remixes auf großartigen labels wie dfa, defected und eskimo, eine der einflussreichsten deutschen radiosendungen für clubmusik (1live -clubbing-), ein bbc -essential tune-, eine goldene schallplatte, uvm. mächtig stolz sind wir, diesen ausnahmeproduzenten nun als festes mitglied der suol-familie willkommen zu heißen, dessen style genau dem entspricht, was wir bei suol mögen: vielseitig, geschmeidig, mit einer menge soul und dabei stets tanzbar. und das trifft auch auf die -on canvas pt.1- ep zu, die neben funky grooves und straighten 4-to-the-floor rhythmen auch die wunderbare stimme von lisa shaw (naked music) vorweisen kann.

the rawkers ep…more than 10 years after the release of cassius first album, the duet comes out with a 6 tracks project that mustn’t have left a lot of people whove listened to it indifferent. well, if there are two people who appreciated the ep, it is jay-z & kanye west, aka the throne, who sampled the famous i <3 uso on their track why i love you, turning it into an absolute popular anthem. if the former album of the band was a tribute to adolescence, here it is more about the earliest days of ours, as the song les enfants (children) depicts it. to such an extent that the rawkers ep sounds like a gigantic playground, full of joy and happiness. were glad to repress this record and to give you an opportunity to escape through this enchanting opus, before cassius new album is released.

repress ...rounding out this iteration of the moods & grooves classic series are two of its best selling releases from one of detroits most prolific producers, theo parrish, and label head mike grant. the mr. g remix of my soul, my spirit nets a pretty penny at the online marketplace so if the steep prices have deterred you, now is the time. chunky was produced during the time theo was a leader of detroit s raw & dirty house sound.

nacho marcos warm trax vol. 1 was an ovum highlight in 2015 and a much welcomed return to the label for the spanish producer. vol. 1 with its rich analogue textures and acidic flair, picked up a wealth of support. today nacho returns with vol. 2 and a new trio of trax for our trip.

this is a record for the spring that never comes. the heat that would be on. through old ghent acquaintances here s the tenth release from the lddlm bunker. rheinzand is almost our super group. mo (ex glimmer twins but still shining), rheinard, the multi-instrumentalist force and charlotte, the softer voice. we don t do retro but if we had, it would be them, chameleons on a sequin dress, sometimes camp, sometimes deep, sometimes even -disco clash- (the term is now copyrighted) on remix duties, we have the lovely cat lover lokier who turns the first time (track who was a big hit with influential minor players blah blah) into her own smacked out industrial groove. ah, it also has the belgian colors. this is part 1 of 2. get the talc out.

lay-far presents boorane - thru jazz to mars ep. the project of respected russian hip-hop beatmakers doing gritty and grainy house music the old-school way. imagine if peter rock was born in moscow and was producing house, inspired by the soviet space program! we are very excited to present you the new release on our label: boorane - thru jazz to mars ep!

die fans im londoner hammersmith odeon ahnten nicht was passieren sollte, als sie gespannt auf ihr idol bowie aka ziggy stardust warteten. es sollte die letzte show der person ziggy stardust sein. ein furioses set mit allen hymnen aus bowie’s damaligen schaffens dokumentiert die großartigen live-qualitäten von ziggy und den spiders from mars. vor dem letzten song läutet bowie den “bühnentod” von ziggy stardust mit den worten ein: “of all the shows on this tour, this particular show will remain with us the longest, because not only is it the last show of the tour, but it s the last show that we ll ever do. thank you.”

stasis005 is another vinyl issue of elysia crampton s digital work, following stasis003, the bound adam 2011 7inch. it is the first pressing of the light that you gave me to see you, originally released under the name e+e. the arrangements were conceived between 2011 and 2012, and the l.p. was finally assembled in 2013, while the artist was homeless in los angeles, california. this edition also includes a previously unreleased bonus track, troll song, which originates from the same period. as with bound adam 2011, the art is by felix lee, and the master is by brandon hocura.

after putting the band on the map with their first ep two years ago, the band feathered sun has grown into a life of its own. the more live sets they have played, the better they have defined their style. they are spearheading a brand of sound healing music abstractly narrative, always poetic, sometimes flirting with darkness but always perfectly produced to carry the audience into their own world. feathered sun are the collaborative experiment of nu, jo.ke, raz ohara, chris schwarzwaelder, iannis ritter and acid pauli johannes laumer. each have active and flourishing solo artist careers, albeit still have time to collaborate with one another. the six-strong collective are a close-knit troupe who are primarily based in berlin and lima, peru. live improvisation is ultimately what brought the feathered sun project to life - they are open about their laidback, impromptu approach and this is apparent throughout this ep. side a was primarily crafted in peru by chris schwarzwaelder and jo.ke with raz ohara’s mesmerising vocals. the end material was then sent to nu in berlin who crafted two tracks out of it. the ‘bulbo’ ep shows a willingness to explore different approaches within the collective and the music showcases their long-standing affiliation. it is a downtempo ep that has immaculate instrumentation, dreamy pads and brooding vocals throughout. this is intertwined with organic sounds and moody atmospheric melodies, gives the release a timeless and emotive ambience.

matt bridgewater aka callahan first released on 4 seasons back in 2015 with ‘armshouse’ ep, since then he released an impressive offering on dext, featuring a hodge remix, as well as playing shows around the uk. the four track ep, features heavy breakdowns, percussion fuelled rhythms, as well as the club friendly ‘state of mind’ collaboration with uk legend roska. straight club fuelled, dark room business.

we are really proud and honored to present espectrum, a year-long effort to put together a compilation of the best dub techno. the idea was simple, but ambitious: ask some of our favorite artists for one track to epitomize dub techno—the style of music we’ve loved and continued to develop since our birth as producers and a label. with a very precise idea of what we wanted to collect, the compilation was carefully built with hypnotic, obscure, dense, and magical sounds with an eternal hook. these are the kind of tracks that will never lose their appeal, because they go above and beyond labels, styles, and trends, resisting the passage of time. after the first tracks starting coming in, the idea grew more and more special, and the concept even stronger. we knew we were onto something really big. and, finally, here it is.

nice price deal !!! this ep is the culmination of over a decade of research into the hidden mysteries that dictate the workings of the power structure of the world we live in. the vocals reference situations and phenomenon hiding in plain sight. the matrix is real, and for those wishing to know more this ep is n essential guide. a1- is future modern aaacid house in ¾ time. the odd time signature works in unison with the phrenetic pastor manning telling it like it is with regards to the corrupt us president. the worst in the history of the entire nation. a2 - references jose’s delgato’s mind control experiments and the fact that this technology exists and is in use today. the track was made using the advanced mathematical scheme known as the golden ratio to achieve maximum “pleasure response” from those listening and dancing to it. b1 - emotive chord work along with a huge rolling bass line set the stage for redsilverj’s vocals about the 2 types of people with regards to the new world order. those who will sell out, and those who will wake up. period! lots of changes, melodies, and counter melodies work to make this the most beautiful sounding cut on the record. lush deep house. b2 - the deepest darkest house. ominous almost foreboding chords lay a murky foundation that quickly unfolds like a ghostly mist. the vocals are about the artificial womb phenomenon and the fact that humans will react and be treated like cattle by the elites. late late night deep banging higher consciousness house.

early pioneers of the german new wave music scene, din a testbild were formed in 1978 by mark eins and gudrun gut (former member of einstürzende neubauten, mania d. and malaria!). din a testbild played a significant role in defining the avant-garde music of berlin. legendary is their partecipation at the festival genialer dilletanten in 1981. mixed and produced by klaus schulze on his own record label innovative communication in 1980, programm 1 was a favourite in the playlists of the italian cosmic dj heroes daniele baldelli and dj mozart. this first vinyl repress celebrates the 35th anniversary of this classic electronic album.

early pioneers of the german new wave music scene, din a testbild were formed in 1978 by mark eins and gudrun gut (former member of einstürzende neubauten, mania d. and malaria!). din a testbild played a significant role in defining the avant-garde music of berlin. legendary is their partecipation at the festival genialer dilletanten in 1981. programm 2 is their second album mixed and produced by klaus schulze on his own record label innovative communication in 1980, programm 2 was a favourite in the playlists of the italian cosmic dj heroes daniele baldelli and dj mozart.

repress! without special edition print of the cover artwork! infrastructure regularly works with up-and-coming artists on cover artwork. respected young swiss artist julian charriere provided the iconic greyscale cover for post scriptum s debut lp (inf-020), and london based photographer guy archard s work featured on campbell irvine s reunion of two bodies maxi-ep (inf-018). now the celebrated british fine-artist robert ncnally has been invited to submit original artwork for facticity. selected by jake and dinos chapman to show work at the prestigious flowers gallery in london, and commissioned by damien hurst to provide work for his private collection, robert s incredibly detailed large scale pencil drawings are attracting serious interest in the modern art world. mcnally s cover image was selected from a series of works based on adapted antique post cards. its anti-establishment, censorship-related overtones are clear to see, as is the stark use of contrast - thick layers obscure the fading original, re-appropriating it.

last copies left
luv*jam presents tonbe and oddnipp. we found the killer tonbe summer nipper on the wonderful nang array disc and were amazed there was nothing of it on vinyl, hence a quick introduction and a cheeky oddnipp renip. a cheeky 10 inch to add to jacks catalogue with an odd kangaroopadella from bob too!? with special thanks to nang and tonbe.

flume ist zurück! vier jahre nach seinem bahnbrechenden debütalbum stellt der australische dj und produzent harley streten die weichen weiter auf erfolg. “skin” heißt das neue album und die gästeliste klingt vielversprechend: alunageorge, beck, kai, kucka, little dragon und wu-tangs raekwon - um nur einige zu nennen - garantieren ein durchweg hohes niveau. inklusive der hit-single “never be like you” featuring kai!
das album erscheint auf transluzentem doppel-vinyl, downloadcode inklusive.

hot on the heels of kess kill s launch featuring cute heels, rivet proudly presents kess02 by xaõ seffcheque. while kess01 was in no way a compromise, it was still a very intentional symbiosis between the distilled essence of kess kill and contemporary electronic music. on kess02 we go straight to the core of the kess kill sound and aesthetic with three breathtaking songs by xaõ seffcheque. a contemporary of liaisons dangereuses and d.a.f., düsseldorf based artist xaõ produced some extremely singular music in the late 1970s and early 1980s, which makes for a very proud first reissue for kess kill. this is music so unparalleled that making comparisons is completely redundant. think jacked up post-punk with manic rhythmic tendencies and you’re halfway there. qu est-ce qu il fait chaud!

a-z is a new label started by al zanders ! this stand-out new production talent has already, across only a handful of releases (as lodger on the stamp label & under his own name on karakul & blind jacks journey) made quite a name for himself ! a-z is a new platform for his distinctive and eclectic output after sharing a stage at shambala festival, al was impressed by the 7 piece sheffield group hot diamond aces, who sent the crowd into a dancing frenzy with their bombastic brass licks and afro-beat inspired rhythms. so impressed in fact, that he approached them afterwards with the idea of doing a remix and starting a label. the reworked version of dsomc is a certified corker that has already been tearing up dancefloors. for the flip, things get deeper with an unashamedly happy house jam raiz , which features some twinkling keys from sleepsang. perfect for the summer!

i was deep in texas when a call came through... -hey man it s cherry ! ...we got some sick new shit for you, gonna blow your mind- i waited nervously for the package. it arrived two weeks later. i slipped the hot black acetate from its wrapper and placed it on the turntable... wired guitars wail like banshees on heat, primal beats erupt drenched in dark juice from roots of trees slick with crunk. flutes and bells hang like exotic flowers that reek of jungle sex and all night long the pulse goes on and on and on as usual cherry was right...this most surely is one sick motherfucker of a record. don t get me wrong there s warped beauty here aplenty but you gotta take it easy. don t ingest it all at once...make sure you re in comfortable surroundings, trust me i know...six months later and i m still feeling the burn. damn you cherry garcia.

ritornell’s richard eigner & abby lee tee originally teamed up to provide the score for a collaboration with filmmaker andreea sasaran and illustrator katja seifert entitled »melting sphere«. sharing a passion for the combination of filigree electronics with playful timbres of diverse acoustic instruments and odd utensils, the cooperation of the two producers was a logical choice.
»melting sphere« merges subsonic bass, kalimba rhythms, accordion sounds and toy bells, all framed by eavesdropping recordings of abby lee tee’s cat, bathroom squeaks for five minutes of organic downbeat bliss.
»tired dancers« on the flipside offers a melancholy tale of seduction relayed from the shadows, with field recordings of nightly city noise, a reversed music box melody, hypnotic chords and meticulous percussion. delicate, celestial cello (by lukas lauermann) and contrabass flute emerge as counterpoint to this rhythmic hypnosis.
this record is as shimmering as you would expect.

for the opening ep from too many squares, frank butters manages to gene-splice together the raw dna from all of the ugly-beautiful sounds present in the birth of modern dance music. -conditioning for solitude- is the hum of dark tubes, the slice and hiss of sharp synthesised percussion and the scream of blissful dementia. the mutant that existed for a brief and joyous frozen moment while disco was still birthing house. -body burn” is the tropics with a black sun and africanism with a stopwatch instead of a heart. recalling experimentalist forays by the likes of liaisons dangereuses, patrick cowley and karen finley, the 2 originals on offer manage to recall the raw passion of an era without feeling contrived or derivative. the ep is rounded off by sheila fleurraters remix of * 3 minute warning* which continues the pioneer-ist motif, albeit allying itself with a much more early industrial aesthetic.

waren main concept gerade noch auf tour zum aktuellen album -hier und jetzt- in deutschland unterwegs, wird jetzt nach der wiederveröffentlichung des vierten studioalbums -equilibrium- auf 58beats mit den dazugehörigen instrumentals auf vinyl nachgelegt. limitiert auf 500 stück, präsentiert mit volume 3 der 58beats instrumentals-reihe.

space echo - the mystery behind the “cosmic sound” of cabo verde finally revealed! in the spring of 1968 a cargo ship was preparing to leave the port of baltimore with an important shipment of musical instruments. its final destination was rio de janeiro, where the emse exhibition (exposição mundial do son eletrônico) was going to be held

it was too hard to resist another record store day outing once pontchartrain dropped these edits on us.

the hungarian drum & bass innovator jade, known as head honcho of neurofunk powerhouse eatbrain, returns to citrus recordings. for the a-side none other than break takes up remix duties reworking jade’s “what you are” that was originally released on his own imprint back in 2014. continuing with “monstereo” we hear a more rolling, pumped up groove underlined by tear up bass sounds and fueled by hyperactive arpeggios.

dieses herbert grönemeyer-live-album aus dem jahr 1995 enthält 18 songs, die auf der chaos-tour in den jahren 93 und 94 aufgenommen wurden. dementsprechend enthält die scheibe viele tracks des “chaos”-albums. ebenfalls zahlreich vertreten sind hits der platten “bochum”, “Ö” und “luxus”. die großartigen kompositionen grönemeyers kommen bei solchen live-auftritten endlich in angemessener art und weise zur geltung. vor allem die älteren stücke wie “bochum” oder “männer” klingen in ihren studio-versionen doch ziemlich saft- und kraftlos, diesen typischen 80er-sound mit viel elektronik und wenigen gitarren kann man sich heutzutage wirklich nicht mehr anhören, und so ist man froh, dass der deutschrock-poet im live-bereich ein hervorragender showman und sänger ist und stets von einer großartigen rock-band begleitet wurde und wird.
die remasterte wiederveröffentlichung erscheint auf 180 gramm doppel-vinyl im klappcover.

der titel ist programmatisch. 1976 im new yorker hunter college aufgenommen, steht der große blues-sänger und gitarrist john lee hooker alleine auf der bühne. nur auf sich selbst konzentriert, spielt er den blues in seiner reinsten form. dieses album wird nun erstmals auf vinyl veröffentlicht (downloadcode inklusive). dies ist teil 2 der aufnahme seines legendären konzertes in new york, was ursprünglich auf dem label tomato veröffentlicht wurde. wie ein jazz-musiker, liebt john lee hooker es zu improvisieren. so sind die hier vorliegenden versionen einiger seiner größten hits wie “boogie chillen” und “hobo blues” einmalig - im doppelten sinne dieses begriffes. der im jahr 2001 verstorbene john lee hooker gilt als legende seines fachs. er spielte in dem film “blues brothers” mit und ist unter anderem mit einem stern auf dem hollywood walk of fame, der aufnahme in die blues hall of fame und die aufnahme in die rock and roll hall of fame geehrt worden.

if this record was a fruit, it would be two melons. but it’s not. it’s a compilation of four tracks by adryiano, monogenic, kastil and d.j. shmugs - most probably for club use. or work, if you are weird enough. tip: tracks so different you can secretly flip the record and play them all to save space in your record bag.

infrastructure regularly works with up-and-coming artists on cover artwork. respected young swiss artist julian charriere provided the iconic greyscale cover for post scriptum s debut lp (inf-020), and london based photographer guy archard s work featured on campbell irvine s reunion of two bodies maxi-ep (inf-018). now the celebrated british fine-artist robert ncnally has been invited to submit original artwork for facticity. selected by jake and dinos chapman to show work at the prestigious flowers gallery in london, and commissioned by damien hurst to provide work for his private collection, robert s incredibly detailed large scale pencil drawings are attracting serious interest in the modern art world. mcnally s cover image was selected from a series of works based on adapted antique post cards. its anti-establishment, censorship-related overtones are clear to see, as is the stark use of contrast - thick layers obscure the fading original, re-appropriating it. setting the tone for this carefully compiled collection of new music, rich in subtexts and sub-genres, a special edition print of the cover artwork will be included in the first 500 copies of facticity.

cult italo post-wave group cristalli liquidi are back with another 12- maxi single. this time the production was carried out by the godfather of italian electronic music alexander robotnick with some mysterious intervention from bottin. sciame (italian for swarm) hits harder on the dancefloor then their previous releases, without losing a single drop of the italo lyrical magic.

support by dave clarke, efdemin, jonas kopp, dj hyperactive, truncate, rolando, mark broom, raiz, kyle geiger, green velvet, marcel fengler, marcelus, submerge, electric rescue, the advent, ben long, dan curtin, sasha carassi, hd substance, paul mac, turbo turbognd label head s-file returns with his new two track techno banger release digital disorder and transmission. his last release spandau90 and bleaching was a charted in all digital and vinyl shop sales charts and was supported from ben sims, dave clarke, marcel dettmann, laurent garnier, james ...

unrelated is back with black as night ep by vesàlio ( kapvt mvndi ) side project of livio improta, vesàlio was born from the necessity to change something in his way of producing. less rhythm section and more emphasis on the atmosphere and field recordings, the last one the essential part of this project. a1 - in “n at alba- the concept of vesàlio is pure,clear, and deep , where the atmosphere is the main character of the track. a2 - -black as night” probably is the conflict between the two artistical parts, dark and despondent sounds, in contrast with the rthythm of the drum section. the perfect sound for a science fiction movie, totally mysterious ! b - o.xander (nous disques) decided to solve it bringing back the track into a classic raw theme with his antartica reshape

music is love, music is passion and music is crossroads. in 2007, s3a was huge fan of an album called byron & onra -the big payback-. when byron and s3a met in mid-2015, the project of an ep came out instantly. the s3a records team is really thrilled to present this magical 7 tracks ep mixing deep sample based house music, hip hop, an even general electronical music. this ep goes with a collaboration between s3a and byron on the track “nights in tokyo”. always looking forward house music and hip hop, euphoria ep will be for sure one of the most important of 2016 house music. clearly musical, byron the aquarius signs here a major ep by its size (7tracks) and its quality. the s3a team is thrilled to release this jewel of what usa can do in electronic music. deep, musical, emotional, full of history… we can hear here some ur, 4hero and great nowadays sample based house music background : the roots of the s3a records

insurgently crossing philly soul, cape jazz and bump jive in 1976, the same year as the soweto uprising, poignantly shot through with timmy thomas’ why can’t we live together.
“it was so important for us to play a kind of crossover then, to weave in touches of motown, philadelphia soul and teddy pendergrass that the coloured community appreciated, and basil’s cape town sound, and sipho’s sound that was legendary in the black community, and make music that people could all enjoy together... the regime divided us: people classified coloured had identity documents, black people had the dompas. we didn’t accept that separation. sipho, although he was born in kzn, could play any feel. sometime he’d joke, does my bass line feel coloured enough?”
another landmark matsuli. the title track is killer.

nonplus continue with the source direct re release and remix series and here we have one of the most influential dnb tracks ever written, source direct - the crane, which was a 90s classic at the forefront of the future thinking genre. alongside the original track there was an alternate version found on an old dat tape which will now surface on nonplus ltd 003, and on remix duties, inland & function give their take on the track giving it the 4/4 techno treatment.

nonplus continue with the source direct re release and remix series and here we have one of the most influential dnb tracks ever written, source direct - the crane, which was a 90s classic at the forefront of the future thinking genre. alongside the original track there was an alternate version found on an old dat tape which will now surface on nonplus ltd 003, and on remix duties, inland & function give their take on the track giving it the 4/4 techno treatment.

ltd nice price --- in 2006 a young unknown david e sugar rocked up at a greco-roman party armed with two nintendo gameboys and a guitar pedal and blew us all away with the ensuing hour of acid. the night was so legendary that he wrote a song about it for our new york soundclash a few weeks later: *oi new york, this is london, oi new york greco-roman soundsystem* … and, quite by accident, the record label was born. a little black round piece of history accompanied by remixes from skream, hot chip, ragga twins and jesse rose.